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Hairspray
by Desert Foothills Theater THE
SHOW: Music by Marc Shaiman,
Lyrics by Scott Wittman and Marc Shaiman, and a book by Mark O'Donnell and
Thomas Meehan. Based on the 1988 John Waters film Hairspray. Big hair, big dreams, and big belly laughs collide in Hairspray
– an outrageously funny and at times powerful musical that won a whopping
eight Tony Awards in 2003 including Best Musical. One of the few musicals that
truly succeeds at all levels with great music, dancing, and both a fun and
inspiring story. It’s a story set in Baltimore during the early 1960s and
centered on Tracy Turnblad, a teenage girl who dreams of dancing on The Corny Collins Show, Baltimore’s own television dance show. But
she’s meeting some resistance from a mom-and-daughter prima donna pair who
poke fun at Tracy’s weight. And she’s getting even stiffer resistance when
she wants to integrate the television show, eliminating the one-day-a-month
“Negro Day” and making every day “Negro Day.” THE PRODUCTION: Desert Foothills Theater welcomes us to 2015 with a
terrific blast back to the Sixties. It’s directed by Chris Hamby who has great vision and touches for the show. It
features a four-piece live band, fun choreography by Kat Bailes and Paul Pedersen,
some swell period costumes by Landis York,
a couple whimsical building facades on either side of the stage, classic hair
and wig stylings by Jacob Hamilton,
and a cast of youth actors and a handful of adults who packed in sold-out houses
throughout their run. Eighth grader Lily
Castle is their remarkably talented Tracy with a huge vocal range and always
just a natural acting style from infectious enthusiasm for her hometown of
Baltimore, a determination to stand up for what’s right, great comedy, and an
unstoppable need to dance. As well as a hilariously unstoppable desire for teen
star Link Larkin as Spencer Claus
smoothly croons out It Takes Two.
Spencer also does especially well being a little uncomfortable on the other side
of town and joining with Lily in creating an exceptionally poignant scene as a
conflicted Link lets Tracy down by not joining her movement for equality. Tracy’s lovable parents are played by adults – Ken
Bailes as sentimental jokester Wilbur and Matthew
Harris as the singular Edna Turnblad who is strong and funny. They work
great together, including a delightful Timeless
to Me. Tracy’s lovable best friend Penny is played by Hannah Rose, and she is a riot with her expressions, body language,
voice, and ditziness whether she’s marveling over mysterious bell ringers, the
miracle of television, or the guy who could transform her into a “checkerboard
chick.” That would be Tracy’s new
detention/dance friend Seaweed starring Mason
Reeves who dazzles with his dancing, humor, and personality all highlighted
by his lead in Run and Tell That. He
also makes his peace with the cougar advances of his potential mother-in-law (Christina
Robinson) as he shrugs, smiles, and puts his arm around both of them. As
Seaweed’s mother Motormouth Maybelle, Tyra
Young knocks it out with Big, Blonde,
and Beautiful and brings down the house with a powerful I
Know Where I’ve Been. The impressive cast also includes Emily McAtee as an amusingly entitled Amber Von Tussle who can’t
believe people are liking Tracy. Kathleen
Berger plays her entertainingly evil mother Velma who lords over The
Corny Collins Show, trying to keep things very white and very thin, using
hand signals to guide Amber as she plugs herself on television while also using
hand signals to flirt with every male from older bosses to younger dancers. Alex
Martinez is terrific as the suave Corny Collins who confidently emcees the
show and knows how to take it to the top. Kiara
Adams is a fun and spunky cute Lil’ Inez. While the talented ensemble
shines in their numbers including the lively Nicest Kids in Town, the mystical I Can Hear the Bells, the groovy Run and Tell That and Welcome
to the Sixties, and closing it out with their big You Can’t Stop the Beat finale. Performed January 9 - 18, 2015 Rob Hopper ~ Cast ~
Add Artist Page
~ Orchestra ~
Director: Chris Hamby
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