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The Diary of Anne
Frank
by Musical Theatre of Anthem THE
SHOW: “For someone like
me, it is a very strange habit to write in a diary. Not only that I have never
written before, but it strikes me that later neither I, nor anyone else, will
care for the outpouring of a thirteen-year-old schoolgirl.” For two years they lived in hiding from the Nazis, careful
not to make a sound during the day when employees worked below them. One noise,
one cough, one slip could give them all away. And that would mean being taken to
the concentration camps, of which they’d already begun hearing about the
deaths and the gas used to kill so many of their friends. Written by Frances
Goodrich and Albert Hackett and further adapted by Wendy Kesselman, this show is
a powerful stage adaptation of the diary kept by Anne Frank – a young teenage
girl who in her fear found some solace in her writing, dreamt of being an author
who would be useful and remembered after her death, and who, in spite of
everything, managed to believe that people were really good at heart. THE PRODUCTION: Musical Theatre of Anthem staged a most powerful production
of this show under the direction of Laura
O’Meara with a talent-filled ensemble who make this historical event feel
all too real and present from the opening moments of the show. It begins while
the audience is still being seated, with their outside helpers Miep Gies (Jessica
Kishbaugh) and Mr. Kraler (Andre
Akcelik) making multiple trips into the hidden annex as they quietly load in
the few supplies the families will need. When the lights go down there’s the
sound of the rain outside, and then the Frank family silently walk into what
will be their home for the coming years, their sadness and fear palpable as they
slowly take stock of their new world and what it means. It’s a world that the
performers all stayed in overnight during rehearsals, that they’ll stay in
silently during intermission just as they live when the office personnel work
below them during the days, and where they won’t leave until the show’s end
when they are led out by the Nazis and never return. Zoe
Tanton is an amazing Anne Frank, finding a way to break the tension as Anne
did for her family with her infectious humor, optimism, and playful teasing,
determined to still live and find laughter, struggling to control her sharp
tongue as she grows through her teenage years, exploring romance with Peter, and
facing the moments of fear. Her eyes always naturally convey so much whether
curled up in happiness, narrowed in anger, or wide with fear. Her monologue when
woken by a nightmare of seeing her best friend Hanneli in a concentration camp
is devastating. As her mother Edith Frank, Ann
Emilie Tjorhom is rivetingly real with a shadow of fear and dread that
almost never goes away, her reactions to her husband and her daughters
(including Anne preferring her father’s company, and Anne finally being
supportive of her), and dealing with the Van Daans are always deeply felt and
magnified by her constant dread. You also fear that dread with Ava
Tyson as Anne’s older sister Margot, quiet and reserved by nature, and
sharing some nice moments with her sister and mother. Nicholas Gearing, the only adult actor in the show, is fantastic as
the father, husband, and leader of the group trying to say the right things to
keep them all alive. His closing monologue after the war is full of pain, shock,
and irretrievable loss. They share the annex with the Van Daans and Mr. Dussel. Nick
McHatton and Emily Spets are great as Mr. and Mrs. Van Daan, Nick as a sometimes
frustrated father, husband, and neighbor who nails an unspoken but seen sense of
guilt when having to sell his wife’s fur coat as well as the embarrassment
when he is caught stealing food. Emily is hilarious with her flirting and
awkward frankness, as well as touching with her fear of discovery, hurt at
losing her coat, and comforting of her distraught husband. Michael Hoover does a nice job as the awkward Peter who slowly thaws
to Anne leading to a humorous first date and later an easy friendship. Jeremy
Neiss is the newcomer dentist who adds drama as he tells them of the horrors
going on outside the annex and some humor as the gruff and sometimes grumpy
dentist dealing with the talkative Anne. The scene when they are discovered is brilliantly and
heartbreakingly performed, from the easy and happy enjoyment of each other’s
company and the rare treat of strawberries, to their genuine terror as each
reacts to the sudden arrival of the soldiers – the shock, the tearful race to
follow barked orders as they rush to grab a couple belongings, and the
hopelessness as they desperately try to find any comfort in each other amidst
the confusion of the moment and the sense of certainty over their fate. Performed January 8-11, 2015
To comment, use NYA
blog article Rob Hopper ~ Cast ~ Add Artist Page Anne Frank: Zoe Tanton Otto Frank: Nicholas Gearing Edith Frank: Ann Amilie Tjorhom Margot Frank: Ava Tyson Miep Gies: Jessica Kishbaugh Peter Van Daan: Michael Hoover Mr. Kraler: Andre Akcelik Mrs. Van Daan: Emily Spets Mr. Van Daan: Nick McHatton Mr. Dussel: Jeremy Neiss First Man: Harald Tjorhom Second Man: Keegan Hughes Third Man: Tor Christian Tjorhom Director: Laura O'Meara Costume Designers: Mickey and Rhea Courtney Hair and Make-up Designer: Jacob Hamilton Light Designer/Technician/Sound Technician: Sonia Tomaso Sound: Dan Moses Schreier Producer: Jackie Hammond Production Manager: Sarah Brayer
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